Greek black metal from the early to mid-1990s is rightfully one of the
most celebrated convergences of time and place in the history of the
genre. There are relatively few styles in metal that can be so easily
identified as having emerged from such a narrowly-defined context as the
archetypal sound that was pioneered most famously by the likes of
Rotting Christ and Varathron. Among other less-commonly-referenced
bands from the same scene was Elysian Fields, who initially began to
garner attention in their country following the circulation of two promo
tapes in 1994 and 1995. The unique sound refined in the band’s early
development and demonstrated on these tapes soon resulted in their
signing to the renowned Unisound Records, which in turn led to the 1995
release of Elysian Fields’ debut album, “Adelain,” a recording which
represents both a nod to their aforementioned fellow countrymen as well
as an incorporation of other various influences. Although it certainly
exhibits primary elements of the black metal immortalized on other Greek
albums such as “Thy Mighty Contract” and “His Majesty at the Swamp,”
“Adelain” also reflects palpable traits of the death metal exemplified
in the early recordings from Sweden’s At the Gates and the hybrid of
gothic death/doom of Britain’s My Dying Bride. Above all, the primary
difference that one is likely to note between this album and other Greek
masterpieces is the more pronounced reliance on somber, melodic
passages interspersed among the more aggressive black metal riffs.
These passages tend to include piano accompaniment and, more
occasionally, spoken-word vocals, very much akin to their implementation
in My Dying Bride’s “Turn Loose the Swans.” This characteristic
notwithstanding, “Adelain” is anything but feeble. On the contrary, its
melodic aspects instead serve to create contrast with and thus
accentuate the more primal black metal with which they are melded, all
the while showcasing how seemingly disparate elements from various
influences can be properly and effectively combined.
Nuclear War Now! is now proud to offer the first reissue of “Adelain” on
both CD and LP formats since its initial release by Unisound in 1995.
In addition to having been originally released by the same label as both
Rotting Christ’s and Varathron’s sophomore albums, “Adelain” was also
recorded at the legendary Storm Studio under the supervision of George
Magus of Necromantia, which lends further credence to the album’s strong
Greek pedigree. This reissue also includes three rare bonus tracks
taken from the previously-referenced promo tapes from 1994 and 1995.
Considering its place not only as an example of its region’s uniqueness
in a greater context, but also the album’s distinctiveness within its
own regional context, this reissue once again celebrates Greece’s
prominent role in black metal history.
22.00€
In Stock
Format: LP
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